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They might think that somehow, this is an answer.
At one point, the show’s administrative villain brings up a compelling point to justify a cruel policy that restricts the students from talking about suicide at all: “Kids get talking about Hannah, maybe even admiring what she did. And it seemed like “13 Reasons Why” was listening with all sincerity. Mental health professionals raised alarm over the potential for suicide contagion, a phenomenon in which one suicide can trigger others.
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One of the critiques held against the first season was that it glamorized suicide. The answers should all be “no,” but the show continues to dodge the question, even though that implies that Hannah Baker is in some way, alive again. But in the second season, Hannah is brought back as a ghost, an in-the-flesh hallucination only Clay can see, presumably because he’s the one who dreamed her up. In the first season, Hannah only existed in flashbacks or “in stereo,” via the tape recordings she left behind for the people who wronged her. Perhaps the fourth-wall breaking would remind viewers that “13 Reasons Why,” despite its relevant subject matter, is above all, fiction.įiction though, is a dangerous space, particularly when it chooses to revive a dead girl for 13 long hours.
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“Two-thirds of parents in our study asked to have the cast come out of character to discuss how to get support,” Wright wrote in the press release. In response to the results, they prefaced episodes with trigger warnings and the season premiere with an introduction of the show by the actors-not the characters. The show’s producers anticipated the backlash over the second season-which extends past the timeline of Asher’s book-as Netflix commissioned a study with the Northwestern University’s Center on Media and Human Development looking at the ways “13 Reasons Why” affected teens.
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This is the constant tug-of-war that defines the second season of “13 Reasons Why.” When its first installment was originally released in 2017, viewers, publications, and mental health professionals both praised and criticized the Netflix series adaptation of Jay Asher’s novel, and very quickly, the conversation expanded beyond mental health itself to the representations of it. Skye’s selective screen time completely contradicts the values Skye embodies. “You really do have a thing for complicated girls,” Clay imagines Hannah Baker (Katherine Langford) saying to him, as he watches Skye’s ambulance drive away. Her whole premise reads like some punk dreamgirl who teaches Clay how to be wild-but sensitive-before vanishing once her character is no longer useful, once Clay knows how to wield a can of graffiti with artistic expertise and offer wilting flowers to girls who are hurting. Skye’s character is sidelined, only brought onto the screen to teach Clay a lesson or two before mysteriously disappearing into her own unseen world of mental health recovery. Skye’s story is-or should be-less male-centric and more complex than that.īut it isn’t. But you can’t.” The key word is “save.” Skye, and presumably the writers who created her, know that mental health extends beyond the romantic spats like the one to which Clay originally attributes this instance of self-harm, and requires more support than a boyfriend-turned-savior. “And I know you want to save me from that, and I love you for it. And if I don’t catch my breath, I’ll burn up and blow away,” Skye says to him. “It’s like I have all these feelings, and I can’t control them-like I’m a visitor in my own mind. She smartly points out common misconceptions about mental health, like when Clay visits her in the hospital after an instance of self-harm. On one hand, Skye has all the makings of a self-possessed, multidimensional main character.
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It seems that showrunner Brian Yorkey and the creative team behind “13 Reasons Why” are simultaneously self-aware of and completely oblivious to the harmful clichés the show presents. “Then we’re going to take a mindfulness walk,” Clay insists, to which Skye dryly laughs. “Meditation is the most fucking boring thing in the world,” Skye snaps. Where are your rubber bands? Have you been trying meditation?” He stops, then unhelpfully berates her: “You’re supposed to call me, even if you just think about it. She also has fresh cuts on her skin, which Clay notices as they try to have sex for the first time together. Played by Sosie Bacon, Skye has a string of stars tattoos on her collarbone, an affinity for graffiti street art, and a motorcycle that makes Clay’s bike seem puny. In the second season of Netflix’s “13 Reasons Why,” Clay (Dylan Minnette)-the series’ frustratingly dim protagonist-has a new girlfriend. Trigger warning: Self-harm, suicide, gun violence.